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I denna vetenskapliga, existentiella biografi över drottning Victgoria av Sverige (1862-1930)möter vi en kvinnas religiösa och estetiska landskap, hennes sjukdom, och hennes kyrkliga och musikaliska initiativ, även i en frånvarande närvaro. Den aktiva resignation som blev hennes livshållning hämtade inspiration från så olika gestalter som Charles Kingsley, Gottfrid Billing, kardinal Hohenlohe och
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This study focuses on the purpose of commercial operations as a key factor in the governance of firms. The background is that the extensive discussions about the purpose of the firm, primarily within the economic and legal disciplines, have for a long time been polarized between two positions: shareholder primacy and stakeholder theory. These discussions are carried out in in the context of consid
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This article examines five arguments often used in scriptural hermeneutics (see, e.g., C. H. Cosgrove, Appealing to Scripture in Moral Debate: Five Hermeneutical Rules) and analyses in what way they are applied in the contemporary debate on homosexuality: (1) countercultural arguments,(2)analogies,(3) nonscientific scope,(4) purpose, and (5) the canonized pluralism in the Bible.
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Analysis of Saraband, the last TV-production by Ingmar Bergman.
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The purpose of this study is to elucidate affordances and meaning-making processes where students in Compulsory lower secondary education learn to play music together in music class. The data consists of a series of observed music lessons, performances and stimulated recall interviews in two 8th form classes, video recorded in the course of one term. The analysis focuses on students’ and their tea
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Popular AbstractSyftet med avhandlingen är att undersöka på vilket sätt teater med ungdomar, enligt ungdomarnas egna erfarenheter och utsagor om det, utgör en kollektiv bildningsprocess. I avhandlingens syfte ingår att analysera hur en teaterföreställning växer fram och att skapa förståelse för vad som sker mellan olika aktörer, främst mellan ungdomar och ledare.Forskningsfenomenet, unga människorThe objective of this research project is to investigate in what way young people's theatre playing, according to their own experiences, constitute a collective educational process. Also, the project aims at understanding the interaction between the different actors, and particularly between the young amateurs and their leaders. Young people's acting in this research project is understood from a p