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Per Olov Enquist's 1985 novel Nedstörtad ängel (Downfall) is, despite its modest proportions, one of the most poetically powerful and intriguing works in his oeuvre. It consists of a number of disparate stories which are presented as intertwined fragments. In this article I argue that the novel as a whole creates its meaning in the manner of a large-scale metaphor, in which the different stories s
