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I den här artikeln redogör Axel Hilling, Niklas Sandell, Amanda Sonnerfeldt och Anders Vilhelmsson för utvecklingen av offentlig land-förlandrapportering av skatter inom EU. Författarna analyserar hur den aktuella regleringen förhåller sig till EU:s nya direktiv för hållbarhetsrapportering, Corporate Sustainability Reporting Directive, CSRD.
PurposeCare has been theorized as a relational practice, but the research has focused on providers rather than users. Older care users have been cast in a passive role, and their relational activities to help with the provision of their care or to support those who provide it are underexplored. The purpose of this study is to develop knowledge about home care use as a form of relational ‘work’.Met
Bob Emerson’s influence on Swedish sociology is wide-ranging and multifaceted. Bob presented this ethnomethodological approach to ethnography on several occasions to a Swedish audience. Our loose network of cultural criminology in Lund developed into what is now the Crime, Control, Culture group at our department, a successful research community consisting of BA and MA courses, researchers, lectur
Studying the Sorgenfri urban renewal project in the Swedish city of Malmö, this article suggests that a shift in planning documents reflects a new understanding of segregation containing traces of arguments from theoretical debates in geography. This new understanding of segregation appears informed by geographic debates on encounters, mobility, and boundaries, and implies that segregation is best
The European Union Drinking Water Directive aims to protect human health and promote safe water consumption. The 2020 revision, Article 17 in particular, directed member states to provide public access to information on drinking water. This update was a response to citizen initiatives calling for the active participation of end-users in water services and greater transparency from water utilities.
To probe into the artistic possibilities of Artificial Intelligence (AI) generating operatic elements, we have engaged in a practice-led inquiry as designers and artists. We took the process of prototyping a chamber opera with interactive features as our starting point, exploring how AI could work as a source of stimuli in opera productions, and how prototyping might add to the design and evaluati
