“Not a Sight, but a Sound” : Listening in E. M. Forster’s A Passage to India
This article examines what happens when we listen to E. M. Forster’s A Passage to India (1924), suggesting that sound has several important functions in the novel, which relate both to the conflicts between the different cultural groupings and to the existential questions that underpin the plot. In making a distinction both between eye and ear, and then between hearing and listening, the article a
