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Flying Carpets, Les Abattoirs, Toulouse
Les Dérives de l’imaginiare, Palais de Tokyo
Le partecipazioni societarie che non veicolano il controllo: riflessioni di economia e diritto antitrust
Review of Daniela Bonanno, Corinne Bonnet, Omar Coloru, Annick Fenet, Ted Kaiser, Franz Cumont: Studia Pontica II. Voyage d’exploration archéologique dans le Pont et la Petite Arménie. Études syriennes. Fouilles de Doura-Europos (1922-1923). Bibliotheca Cumontiana. Scripta maiora, 6. Turnhout: Brepols, 2022. Pp. viii, 288. ISBN 9789062810512.
‘Roi d’Angleterre’ and ‘Le Pretendant’ : A Cultural Semiotic Approach to the Use of Titles by Swedish Diplomats, 1715-1717
Le remboursement des actes transfrontaliers de la télémédecine : The reimbursement of cross -border acts of telemedicine
Entrelacé (e108, 2021) : Le son multiphonique au vibraphone
#108. Entrelacé, for four vibraphonists on one vibraphone
Research Handbook on EU Health Law and Policy, edited by TK Hervey, CA Young and LE Bishop
LES of a two-phase turbulent stirred reactor
Les Houches 2015: Physics at TeV Colliders Standard Model Working Group Report
THE TOOLS AND MONTE CARLO WORKING GROUP Summary Report from the Les Houches 2009 Workshop on TeV Colliders
Robin Le Poidevin Religious Fictionalism
'Les Adieux d L'Hermite de Dronning-Gaard'
An account of a poem inspired by a monument in the gardens of a stately home in Denmark.
Simultaneous Multiple Frames in Charles Baudelaire’s Les Fleurs du Mal
“Les copains *Dit au revoir” : On Subject–Verb Agreement in L2 French and Cross-Linguistic Influence
This study focuses on the production of subject–verb (SV) agreement in number in L2 French and investigates the role of cross-linguistic influence (CLI) in this particular morphosyntactic domain. CLI is a well-known phenomenon in Second Language Acquisition (SLA) research but it has rarely been investigated systematically in relation to SV agreement in French. The participants of the study are 114
Les Chemins du Sud, une thèorie du mineur : MRAC Occitanie, June 23-November 3, 2019
A review of the group exhibition curated by Emmanuelle Luciani & Charlotte Cosson of Southway Studio at MRAC Occitanie in Sérignan, France.