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This dissertation analyzes and evaluates several major productions by Danish philosopher and theologian Søren Kierkegaard (1813–1855). It focuses on three works Kierkegaard authored under pseudonyms – Either / Or (1843), Fear and Trembling (1843), and Philosophical Fragments (1844) – and the non-pseudonymously authored Works of Love (1847). The dissertation argues that for Kierkegaard, Christian f
