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There are no application or tuition fees for students who are citizens of the European Union (EU), the European Economic Area (EEA) and Switzerland.Students who are citizens of countries outside the European Union (EU), European Economic Area (EEA) and Switzerland are generally required to pay application and tuition fees. 

There are some exceptions to this general rule.More information about tui

https://www.ace.lu.se/masters-programme-asian-studies/tuition-fees-scholarships-and-funding - 2026-05-13

Jue Jiang Ernils Larsson Erik Mobrand Karin Zackari Hui Zhao      

https://www.ace.lu.se/about-centre/visiting-researchers - 2026-05-13

This website is run by the Centre for East and South-East Asian Studies, Department of History, The Joint Faculties for Humanities and Theology. We want as many people as possible to be able to use this website, and this document describes how www.ace.lu.se complies with the accessibility regulations, any known accessibility issues, and how you can report problems so that we can fix them.How acces

https://www.ace.lu.se/accessibility-wwwaceluse - 2026-05-13

Jue Jiang Erik Mobrand Karin Zackari Hui Zhao

https://www.ace.lu.se/research/visiting-researchers - 2026-05-13

Dnr STYR 2018/1585 Organization The Centre for East and South-East Asian Studies from 1 January 2019 belongs to the Joint Faculties of Humanities and Theology. It is a section at the Department of History. Background The Centre for East and South-East Asian Studies was established on 1 November 1996 by the Lund University board. Its establishment was a result of the university strengthening its wo

https://www.ace.lu.se/directives-centre-east-and-south-east-asian-studies - 2026-05-13

Dnr STYR 2018/1585 Lunds universitet beslutar fastställa följande föreskrifter med stöd av 2 kap. 5 § högskolelagen (1992:1434) att gälla från och med 2019-01-01. Dessa föreskrifter ersätter tidigare beslutade föreskrifter (dnr LS 2012/185). Föreskrifterna har varit föremål för förhandling enligt MBL §l l 2018-12-04. Organisatorisk placering Centrum för Öst- och Sydöstasienstudier tillhör från och

https://www.ace.lu.se/foreskrifter-centrum-ost-och-sydostasienstudier - 2026-05-13

Administration and organsation In January 2019 the Centre for East and Southeast Asian Studies moved to the Joint Faculties of Humanities and Theology (HT) and became a section at the Department of History. During 2019, the Centre thus became incorporated into a new organisation, which required some adjustment regarding institutional and financial set-up. The Centre now has an advisory board consi

https://www.ace.lu.se/work-report-2019-centre-east-and-south-east-asian-studies - 2026-05-13

Administration and organsation During 2018 the Centre for East and Southeast Asian Studies was engaged in preparations for the organizational move to the Joint Faculties of Humanities and Theology where it from 1 January 2019 is a section at the Department of History. This organizational change required the adoption of new directives for the Centre although its mandate to be an interdisciplinary i

https://www.ace.lu.se/work-report-2018-centre-east-and-south-east-asian-studies - 2026-05-13

A platform for collaboration between art, research and society at Lund University Art Collab is an interdisciplinary meeting place where researchers, artists and social stakeholders can collaborate on issues that require different perspectives and creative problem-solving. The platform will provide an arena where artistic and scientific methods can be cross-fertilised to contribute to a better und

https://www.thm.lu.se/en/what-artcollab - 2026-05-13

Art Collab currently consists of researchers and artists from four faculties at Lund University, researchers from other universities, as well as artists and actors from the independent artistic field. Fredrik Haller Operations director Ingar Brinck Project participant Henrik Haller Project participant Sue Bell Yank Project participant Amanda Pettersson Communications officer Eleni Karageorgiou Pro

https://www.thm.lu.se/en/people - 2026-05-13

The global food system accounts for 21-34% of total greenhouse gas emissions and is one of the strongest drivers of biodiversity loss. Neither the SDGs, nor the Paris Climate agreement, can be met without a radical transformation within all stages of the food system. The scientific community suggests several necessary changes to promote human health and prosperity while preserving the health of Ea

https://www.thm.lu.se/en/eating-habits-and-planetary-health - 2026-05-13

The First Person Singer (FPS) project aims to experimentally create prerequisites for a new operatic format offering the audience first-person perspectives from individual characters through personalised streaming. By equipping opera singers with body cameras and microphones, the project allows audience members to experience the plot through the eyes and voices of individual performers. This appro

https://www.thm.lu.se/en/first-person-singer - 2026-05-13

The global food system accounts for 21-34% of total greenhouse gas emissions and is one of the strongest drivers of biodiversity loss. Neither the SDGs, nor the Paris Climate agreement, can be met without a radical transformation within all stages of the food system. The scientific community suggests several necessary changes to promote human health and prosperity while preserving the health of Ea

https://www.thm.lu.se/en/eating-habits-and-planetary-health-0 - 2026-05-13

an anthology that examines the evolution of socially-engaged art practice, or social practices in a global context This project focusses on the research phase for an anthology with the working title Iceberg works which is a collaboration between Sue Bell Yank (researcher and Director of Clockshop in L.A.)  and Maj Hasager (Artist, Professor and head of Malmö Art Academy). The research examines the

https://www.thm.lu.se/en/iceberg-works - 2026-05-13

Solidarity is a key principle in asylum policy. However, it has increasingly become commodified through the privatisation of responsibilities, with labour outsourced to private consultancy firms. Consultancies aim to help states streamline procedures and “maximise productivity”, fostering a corporate-driven approach to asylum. This dynamic raises critical questions about accountability, particular

https://www.thm.lu.se/en/solidarity-industry-privatisation-public-responsibilities - 2026-05-13

TTPA05 | TTPK10 | 90 Credits Please note that these courses are no longer avaliable.  If you have been admitted and started your studies in the autumn semester 2021, you will be able to complete your course according to the previous course structure up to the bachelor level (61-90 credits). The final bachelor's course will be given in the autumn semester of 2022. If you have been admitted earlier

https://www.thm.lu.se/en/theory-and-practice-theatre - 2026-05-13

ArtCollab 2026 Sweden is characterized by extensive linguistic diversity, yet monolingual norms continue to dominate performing arts, education, and psychological practice. As a result, multilingual experiences often remain unheard or silenced, despite the fact that language — including dialects, childhood languages, and lost or suppressed languages — is deeply embodied and intertwined with memory

https://www.thm.lu.se/en/voices-between-bodies - 2026-05-13

ArtCollab 2026 Image: Sima Nurali Wolgast Mental distress has become one of the most pressing social issues of our time. At the same time, our understanding of suffering is shaped by competing narratives — biomedical, psychological, social, existential, and economic — where certain perspectives are granted greater authority than others. These narratives are not neutral: they influence self-underst

https://www.thm.lu.se/en/voices-suffering - 2026-05-13

ArtCollab 2026 The dominant narrative in Denmark has long claimed that Denmark was not a “real” colonial power in Kalaallit Nunaat —a narrative which has been historically reinforced through politics, media, and education. However, this claim is presently collapsing as stories of colonial exploitation and structural suppression are coming to the public’s eyes. Through a speech choir with a diverse

https://www.thm.lu.se/en/speech-choir-apologies-kalaallit-nunaatdenmark - 2026-05-13

Generative AI is rapidly transforming how creativity is produced, valued, and understood in contemporary society. While these technologies expand access to creative tools and increase efficiency, they also risk shifting creativity from a lived human experience to an optimized process governed by opaque algorithmic systems. As expression and decision-making become filtered through technologies that

https://www.thm.lu.se/en/creativity-under-algorithmic-opacity - 2026-05-13